Tom Misch, singer, guitarist, violinist, and producer, puts together a perfect Summer record with his EP Reverie. I had first ran into him whilst surfing those YouTube channels who are wanting to make themselves home to a particular style of music (think Majestic Casual, Holy Chill, Chillhop, etc.). The track I actually heard is featured on the EP, a collaboration with his saxophonist sister Laura Misch.
Tom Misch’s soothing voice pairs fantastically with the saxophone in the chorus, especially when the harmonies kick in. The double-bass behind the track has been beefed up in the low-end providing a more 808 like style, filling out the track considerably when paired with the drum loops. Lyrically there’s not much to be amazed by, but by no means does it hinder the track either, the scat “m-m m-m-m-m maybe” being a very nice touch and variation to the song.
Despite Misch’s instrumental prowess, he actually employs drum loops and all four tracks of the EP. This could have felt repetitive had the rest of the production not been rather interesting. Opener ‘Crazy Dream’ has a nice enveloped synthesiser which is joined by funk-inspired guitar and bass on the chorus. The rapping, whilst matching Misch’s soothing vocals, almost sound too smooth and relaxed, but again, it’s not a major upset or anything to criticise overly, especially when the lead synth is embedded beautifully towards the end of the track, and so Loyle Carner‘s feature does not go to waste.
‘I Wish’ features a snap-snared beat following a summery-acoustic guitar, an opening which remained me of Chance the Rapper’s ‘Favourite Song’ – I wasn’t quite sure of the chorus, it doesn’t quite fit with the more downtempo feeling of the song, the bass guitar and guitar pairing together to play a much upbeat riff. Had this solely comprised the chorus it would have been a questionable decision, but Misch adds his vocals prior to this little section, accentuated by crash cymbals to make it the change-up manageable.
‘Watch Me Dance’ closes the album, Misch’s violinist upbringing coming to the fore as the track is introduced with a lamenting string section which slips to the background as he brings in guitar and vocals. At around the 1 minute 40 second mark the name of the track comes to light as the kick drum drives the track forward with the bass guitar and guitar riffing away over the top of this.
The track really demonstrates his influences from funk, to hip-hop, to house as well. For someone who has yet to release a full-length debut album, Tom Misch is continuing to make waves, impressively selling out venues and embarking on his first US tour. I’ve yet to find a song that he’s written that I dislike, or rather that I don’t like, and so I hope he continues his ways and wish him success.
This article was written by Mo Hafeez